![]() ![]() Iec ac power inlet for internal power supply Left/mono and right audio outputs (2 x ¼" phone jack) ![]() Manual switch: when on, the front panel is live what you see is what you hearĥ00 user and 500 factory programs in 10 banks of 100 programs eachĭirect program access, including single-button access to the current set of 10 programs Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) True bypass maintains fully analog signal path when digital effects are offįull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Polyphonic step sequencer with up to 64 steps and restsĭual, 24-bit, 48 khz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Up, down, up/down, random, and assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note Source: channel (mono) aftertouch with bi-polar amountĭestinations: oscillator 1 frequency, oscillator 2 frequency, lfo amount, amplifier envelope amount, filter envelope amount, filter mode Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar)ĭestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original oberheim sem filterįive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)Ĭlock sync (internal or external midi clock) Oscillator detune amount for increased tuning instability, from subtle to extreme Square wave sub-octave generator (oscillator 1) per voice Hard sync: oscillator 1 syncs to oscillator 2 This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.Ĭontinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator in this state, what you see is what you hear. Panel mode, in which the sound of the ob-6 switches to its current front panel settings. turning on the manual button enables live included are 500 permanent factory programs and 500 rewritable user programs. The knob-per-function front panel puts virtually all ob-6 functions at your fingertips. unison mode features configurable voice count (1-6 the full-featured arpeggiator can be synced to external midi clock as well. you canĬreate sequences polyphonically, with rests, and sync to an external midi clock. the polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. modulation sources are filter envelope and oscillator 2, both with bi-polar control.ĭestinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. while the effects themselvesĪre digital, with 24-bit, 48 khz resolution, a true bypass maintains a full analog signal path.Īlso present is x-mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. The dual effects section provides studio-quality reverbs, delays (standard and bbd), chorus, flangers, and faithful recreations of tom's original phase shifter and ring modulator. voltage-controlled amplifiers complete the all-analog signal path. the classic oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass,īand-pass, and notch functionality. it features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice withĬontinuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The ob-6 sound engine is inspired by tom's original sem, the core of his acclaimed 4-voice and 8- voice synthesizers. ![]() Synth can boast such a pedigree or such a massive, in-your-face sonic signature. Voltage-controlled oscillators, 2-pole filter, and amplifiers - and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. the ob-6 takes the classic bold tom oberheim sound - with its true The ob-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, dave smith and tom oberheim. ![]()
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